In Avril, H. Belloc offers a passionate defense of French literature and a searching study of the French Renaissance, arguing that England has long neglected one of Europe's richest literary traditions. Dedicated to F. Y. Eccles, the book seeks to restore sympathy between national cultures without flattening their identities, and it begins by turning to six poets who mark the growth of French verse: Charles of Orleans, Villon, Marot, Ronsard, Du Bellay, and Malherbe. Belloc presents literary scholarship as a way of entering another people's mind, and his own inquiry is both learned and personal, shaped by inherited French sympathy and a sense of cultural loss. He then traces the Renaissance as a moment of both rupture and return, where medieval inheritance, Rome, and Italy combine to create a new poetic order. Charles of Orleans appears as a delicate precursor, his exile, grief, and courtly life giving rise to lyrics of formal beauty, emotional depth, and enduring freshness. Villon follows as a wild, original voice rooted in medieval Paris, while Marot brings ease, wit, and musical grace to short forms and song. Ronsard and the Pleiade emerge as the architects of French literary grandeur, giving poetry authority, scale, and national power through their mastery, leadership, and cultural ambition. This edition has been fully restored with modern typesetting, custom cover design.